Spectrum
《光谱》
除此之外，艺术家将宝石（无机物）与昆虫（有机物）放在一起扫描，通过扫描仪光的解构，导致它们呈现出光带的样式，在这种图式之下，有机物与无机物的界限得以消解。丑与美、昂贵与廉价、闪耀与暗淡等等对立的事物均被扫描仪转化成绚烂的光谱。创世记1:3 上帝说：“要有光！”就有了光。光是我们（宇宙）的开端。当宝石与昆虫同样沦为像素阵列，扫描仪在此成为了新的"造物主"，它以自身的光学逻辑重构了物质的存在方式。"自然物"与"人造物“的界限在哪，在《一只侵入电线网内部的夜蝉》艺术家通过扫描仪，用其独特的方式解构了生物与技术之间的拓扑关系。扫描仪生成的彩色条纹并非对自然的异化，而是揭示了所有生命早已被编码的真相——夜蝉的虫语与电线之间偶然的故障杂音在频谱上同构。
Spectrum
Beyond this, the artist scans gemstones (inorganic matter) alongside insects (organic matter). Deconstructed by the scanner’s light, they manifest as bands of color, dissolving the boundary between organic matter and inorganic matter under this visual schema. Opposites—ugliness and beauty, luxury and cheapness, brilliance and dullness—are all transformed by the scanner into dazzling spectra. In Genesis 1:3, the God said, “Let there be light”, and there was light. Light is our (the universe’s) origin. When gemstones and insects alike are reduced to pixel arrays, the scanner becomes a new "creator", reconstructing material existence through its optical logic. Where does the boundary between "natural object" and "man-made object" lie? In the work A Nocturnal Cicada Inside the Electric Wire Network, the artist uses the scanner to deconstruct the topological relationship between biology and technology in a unique way. The scanner’s generated color streaks are not an alienation of nature but reveal the encoded truth of all life—the nocturnal cicada’s chirps and the electric wires’ accidental glitch noises share the same spectral structure.
