Object
《物》，2025年
艺术家通过运用办公室的中日常使用的工具“扫描仪”进行艺术化的创作，赋予被扫对象（物）新的观看视角。诸如该系列中，作品《降落》如同一把即将降落的断头台上的刀片，实际上这把锋利的刀片是来自艺术家日常使用的苹果笔记本的底部，底部印有一段包含组装与设计产地的说明，它暗示着全球化中两个大国在技术合作中相互依存关系，如今当下，这种关系正面临着紧张危机，它也如同一把悬在全球经济之上达摩克利斯之剑。一个具有故障效果的窗户图像，实际上，造成它背后的推手来自于自然界的风。艺术家将工作室的窗户打开，让风慢慢地推动着窗户直至闭合，最终使得关闭窗户的过程被扫描仪惊喜的捕获。一个1980年的印有中英文的可乐玻璃瓶，被艺术家用扫描仪的方式平面化。
在《窗外夜景》中，一只趴伏在70-80年代老式海棠玻璃后的无人机，像一个自溺毙在水中的怀有窥视癖的怪物。《形状工具》则是代表着中国劳动人民的智慧——物尽其用。一个废弃的来自海外锯子，被分割成多种样式的刀具，出售给未来潜在的购买者。《万物均有裂痕》（There is a crack in everything），其名字来自莱昂纳德·科恩（Leonard Cohen）的一首歌里的歌词。“万物皆有裂缝。那是光照进来的地方”（There is a crack in everything. That's how the light gets in。）艺术家通过扫描仪在对达芬奇的画册里的印有《天使报喜》（英语：Annunciation）图像扫描时，无意中弄坏了该页。恰好，那新增的裂痕对应着画中里天使的手指。
Santana 2000的尾灯同样也出现在被扫描的对象中，它是象征中国迈向全球化的标志性的物件之一。又如关于《带珍珠的女人》作品，艺术家将一个石头与珍珠项链组合在一起进行扫描，而值得注意的是，画面中的石头来自艺术家的家乡的河流上游，并且与他母亲的体重等重，那珍珠来自艺术家的父亲在年轻时送给母亲的一串珍珠项链。
Object, 2025
The artist employs the office tool "scanner" for artistic creation, offering a new perspective on the scanned object. In the series, the work Landing resembles a blade about to descend onto a guillotine. In reality, this sharp blade is the underside of the artist’s everyday MacBook, imprinted with assembly and design origin information—a subtle nod to the interdependent technological collaboration between two global powers. Today, this relationship hangs like a sword of Damocles over the global economy. An image of a window with a glitch-like effect is created by the artist opening the studio window and allowing the wind to slowly push it until it is closed. Ultimately, the process of closing the window is surprisingly captured by the scanner. A 1980s Coca-Cola glass bottle bearing bilingual text is flattened through scanning. The taillight of a Santana 2000 is also scanned, serving as one of the symbolic artifacts of China’s march toward globalization.
In Night Scene Outside the Window, a drone crouching behind an old 1970s-80s-style textured glass (Haitang Glass) window pane resembles a voyeuristic monster drowning in water. Shape Tool represents the wisdom of the Chinese laboring people – using materials to their utmost potential. A discarded saw from overseas is divided into various styles of knives and sold to potential future buyers. There Is a Crack in Everything takes its name from a lyric in a song by Leonard Cohen, "There is a crack in everything. That's how the light gets in." While scanning the page containing the image of The Annunciation from a Da Vinci’s art book, the artist accidentally damaged it. Coincidentally, the newly added crack aligns with the angel's finger in the painting.
Regarding the work Woman with Pearls, the artist scans a stone paired with a pearl necklace. Notably, the stone comes from the river upstream of the artist’s hometown and weighs the same as the artist’s mother, while the pearls are from a necklace gifted by the artist’s father to the mother in their youth.
