Base, 2025
艺术家用手持便携式扫描仪在废弃的烟火盒上移动，时而缓慢，时而快速。扫描仪偏离了照相机的瞬间性与侵略性，它以缓慢的像素堆积重构物的神性。在灰烬中打捞时间的褶皱，将消费残余物升华为宇宙论的微型剧场。那些基座上的圆形孔洞，最终成为时间自身的瞳孔。如同某种现代性暴力切割的伤口，又如能量狂欢后的寂静废墟与祭坛。
With a handheld portable scanner, the artist traces the surface of a discarded firework box in rhythms alternating between lingering caresses and hurried gestures. Rejecting a camera’s momentariness and aggressiveness, the scanner accumulates and reconstructs the divinity of objects with slow pixels, resurrecting time’s creases from the ashes and sublimating used remnants into a miniature theater of cosmology. Those circular holes on the pedestal emerge as time’s own pupil, resembling both wounds gashed by modernity’s relentless blade and silent ruins and altars after energy’s hilarity.
