荷花池，2024
每周六在上海的人民公园的「相亲角」有点像是未婚子女的父母与婚介一同聚集在公园里，用摆摊的形式推销自家的「待售商品」（男男女女），每个人的身家条件被一条条明码标价，赤裸裸地罗列在 A4大小的纸张之上。 复印、扫描、对比、校对等等常出现在办公室里的词汇在本该让人放松的公园中被放大以及讨论，周末公园成为了现代都市的另类办公室与交易所。
艺术家注意到相亲角（上海人民公园）里面有一池荷花，在中国荷花在婚姻中有百年好合之意。在夜晚艺术家将办公室常用的工具扫描仪（手持便携式与台式）拿到了人民公园的荷花池边，并对公园里的荷花进行扫描，当他手持便携式扫描仪来回的在荷花上移动，扫描仪如同一把带着光的毛笔在对它们进行一场写意式的描摹，所得图像不是以一种快拍式的惊扰所获得，而是试图用一种更谦卑的姿态去记录对象，认识对象。 尽管艺术家所用的工具（扫描仪）常让人联想起现代社会的办公室文化，但艺术家却用扫描仪去认识（记录）公园里的荷花，他用另一种错位的诗意方式，对作为都市公园里所出现的“物化”的婚姻的一种抵抗。
Lotus Pond， 2024
Every Saturday, the activity at the matchmaking corner of Shanghai People’s Park is kind of like the sale: parents of single persons gather with matchmaking services in the park to market their own consignments on stalls( single sons and daughters), and status and family background of every singe person are clearly marked the price item by item and directly listed on A4-size papers. “Copy”, “scan”, “compare” and other office-related words have been amplified and discussed in the park supposed to be a place for people to relax themselves, and the park at weekends has become an alternative office and exchange.
The artist has noticed the pond of lotus at the matchmaking corner of Shanghai People’s Park, which means Love for All Seasons in Chinese marriage. At one night, the artist took the scanners (a hand-held one and a desk-top one) often used in office to the pond and scanned the lotus. When he took the hand-held scanner and moved back and forth on lotus, the scanner was like a lighted brush depicting them in a freehand way. The images he got was somehow like result of a humble record and recognization rather than a snapshot-like disturbance. Though the tool( the scanner) the artist used was reminiscent of the office culture in modern society, he used it to recognize(record) the lotus in the park. He used a poetic displacement to resist the “materialization” of the marriage occurring in the city’s park.
